Showing posts sorted by relevance for query travis thrasher. Sort by date Show all posts
Showing posts sorted by relevance for query travis thrasher. Sort by date Show all posts

Tuesday, June 09, 2009


This week, the

Christian Fiction Blog Alliance

is introducing

Ghostwriter

FaithWords (May 28, 2009)

by

Travis Thrasher


ABOUT THE AUTHOR


It was during third grade after a teacher encouraged him in his writing and as he read through The Narnia Chronicles by C.S. Lewis that Travis decided he wanted to be a writer. The dream never left him, and allowed him to fulfill that dream of writing fulltime in 2007.

Travis Thrasher is the author of numerous works of fiction, including his most personal and perhaps his deepest work,
Sky Blue, that was published in summer of 2007. This year he has to novels published, Out of the Devil’s Mouth, and a supernatural thriller, Isolation.

Travis is married to Sharon and they are the proud parents of Kylie, born in November, 2006, and Hailey, a Shih-Tzu that looks like an Ewok. They live in suburban Chicago.

Stop by and visit Travis at his
Blog where you can sign up to follow him on Facebook and Twitter!

Also check out the radio interview with Travis on Monday June 8th at
BlogTalkRadio/FaithWords


ABOUT THE BOOK

For years Dennis Shore has thrilled readers with his spooky bestselling novels. Now a widower, Dennis is finally alone in his house, his daughter attending college out of state. When he's stricken by a paralyzing case of writer's block and a looming deadline, Dennis becomes desperate. Against better judgment, he claims someone else's writing as his own, accepting undeserved accolades for the stolen work. He thinks he's gotten away with it . . . until he's greeted by a young man named Cillian Reed--the true author of the stolen manuscript.

What begins as a minor case of harassment quickly spirals out of control. As Cillian's threats escalate, Dennis finds himself on the brink of losing his career, his sanity, and even his life. The horror he's spent years writing about has arrived on his doorstep, and Dennis has nowhere to run.

If you would like to read the first chapter of
Ghostwriter, go HERE.

Wednesday, June 14, 2006

Travis Thrasher's Admission


Something deep and terrifying jerked him awake. Even before he opened his eyes, Jake knew he was confined, his head lodged against something unmovable. He couldn’t feel his arm tangled underneath him. His dry tongue rolled against cracked lips as he tried to clear his ragged throat. The first thing he saw was the tan faux-leather back of the car seat. Then, looking down on the floor, he saw a handgun wrapped in a muddy towel.

He sat up in the big backseat, the scent of reefer undeniable . . . Moving brought a wave of nausea and pain. His back was drenched in sweat. Rolling down the window, Jake breathed in and felt a throbbing in his left side . . . It felt like the time he’d been beaten to a pulp . . . just a month ago. But judging by . . . his total ignorance of where he was or what had happened . . . he realized this time could be worse.

He opened the car door and stumbled out, falling over and feeling the sting of blood rushing back into his legs . . . Something nagged at him. Something awful . . .

He stood up and looked around. Then he stared down at his shirt, his jeans, his shoes.

All were covered in blood . . .

---------------------
So begins Travis Thrasher’s novel,
Admission. (Published by Moody.)

Jake Rivers is in his last semester of college. He’s got a close-knit group of pals. If only he could win Alyssa Roberts’ heart. But he’s too “bad boy” for her, apparently. With his friends he drinks—a lot. Parties and can’t remember half of what he does. He doesn’t care about much. Certainly not the reputation of the college, or what’s expected of him by its administration. He just wants to get out of college and launch his life.

Then tragedy strikes.

That’s the past Jake, eleven years ago. Current Jake has mellowed. He no longer goes on wild drunks. He’s achieved a bit of spiritual understanding. But Jake is pulled back into his past when the old mysteries arise. What happened on that night he awoke in the car, all bloody? Which of his friends holds the key to the truth? Jake is forced to seek each of them out, hoping to fill the black hole of voided memory within him.

I really enjoyed this novel. Travis is an author I trust. I pick up a book by him knowing he’s going to handle the material well. I know his characters will be well drawn. And that he will surprise me in some writing aspect.

Admission interweaves Jake’s past and present stories, slowly unfolding what happened in college even as Jake pursues the answers. This is difficult to pull off well. I faced this same issue in writing Color the Sidewalk for Me (before I came over to the dark side of suspense for good). It’s a real challenge to base a current story on a traumatic past event, and unfold that current story without giving away the crisis scenes of the past. Both threads have to build in tension themselves, even as they interweave and increase each other’s tension. Where to place what scene, and how to build one upon another to the story’s height—that can take some serious shuffling. Travis makes this work, resulting in good pace.

Travis does something I haven’t seen before. He mixes POV for the same character. Jake’s present story is told in first person. His past story is told in third person. This creates an interesting dichotomy between the two Jakes. Told in third person, the Jake of the past feels further removed from the reader, recreating the inner sense the current Jake has about his past. He almost looks back at himself as someone else. He feels removed from that person. He’s wanted to forget—the little he could remember in the first place.

This effect worked. It wasn’t a broken writing “rule” just for sake of doing something different. It worked because it was driven by the story. I can imagine Travis sitting down to write this book and feeling in his gut the two very different ways that the present and past stories wanted to be told.

The other aspects that stood out in this novel were its characterization—Jake and his group of pals—and the dialogue. The latter does much to enrich the former. The dialogue is fresh, unpredictable, laced with non sequiturs. In short, the way highly partying college pals—and the men they would grow to be—would talk to each other.

This book is a good example of creating immediate character empathy—when the character may not be so easy to like. I found myself caring about what happened to the past Jake (who opens the book), even though in real life I have no tolerance for a partying drunk. In fact, you can’t turn me off much quicker. At times I wanted to throttle the guy. Make that many times. But I still cared. Referring to our character series, Jake was thrust into danger in the opening scene (#5). Second, he really loved Alyssa, who always seemed just beyond his reach. (#4—Wishing for something universally understood.) A part of him realized why he couldn’t have her—it was his own doggone fault. Yet he seemed powerless to change that. (#10—facing an inner struggle.)

I asked Travis about his approach to this book, and his writing in general. He gave some very thoughtful and enlightening answers. Over the next couple days I’m going to run his interview. He also talks about his "other job"--the full time one at Tyndale, where he works in Author Care.

Of course, you know what my first burning question was. Couldn’t help myself. “Travis, so just how much of that partying, drunken college Jake was you?” . . .

Thursday, November 02, 2006

Two Web Sites For You


Two updated web sites for you—both worth checking out. I love the writing from these authors.

1. Dean Koontz. I’ve signed up to receive updates about him. Here’s the latest:


Dear Readers,

Hi! It’s Dean Koontz here inviting you to visit my new and improved Web site —
www.DeanKoontz.com. While it may not rock your world or explain black holes in the universe, it’s a lot better than listening to elevator music or getting a root canal.

There’s plenty of news about the third and latest novel of Odd Thomas, an unlikely hero and short order cook from Pico Mundo, California, who attracts the lingering dead. The new book is called BROTHER ODD and it takes Odd to an isolated monastery in the western mountains where he seeks refuge. Unfortunately, peace and quiet on not on the menu and Odd must overcome the greatest force of evil he’s ever encountered.


The second Odd novel, FOREVER ODD, is out in paperback this week, and the first book, ODD THOMAS, is already in stores in trade paperback.

Don’t miss CSI starting Thursday, November 16 on CBS at 9 p.m. EST to see the first in a series of commercials on BROTHER ODD. For a sneak preview on the Web, check out OddThomas.tv on November 13.

The new site is loaded with fun features including interviews, insights, podcasts, videos and book excerpts. Ten Questions is a section dedicated to readers. The answers are informative and even funny. There’s also a special section just for my dog, Trixie. She insists on writing her own books and reviewing mine when she feels like it. This month she shares her opinion of BROTHER ODD.

I hope you enjoy the new site and will visit it often. Our goal is to continue to surprise, inform and entertain you.

See you on
www.DeanKoontz.com!

The fun thing about Koontz, besides his great suspense, is how funny the man himself is. Quite entertaining to read news from him and watch his videos. You’ll get a taste of an “Odd” video just by clicking on the site. And if you haven't read the Odd Thomas novels--what's the matter with ya? BHCC members--I think even you can handle 'em. Well, on second thought-you Big Honkin' Chickens' Club folks are scared of your own shadows.

2. Travis Thrasher. His update:

On this Halloween night, I wanted to take the time to email you to let you know about my overhauled website. Please check it out when you have a chance:
www.travisthrasher.com

I've made it more simple and straightforward.
[Brandilyn--trust me, it needed it.] That means I'll be updating it more and will have a blog I will add to weekly. [A Travis Thrasher blog, way cool.]

2007 will be a busy year for me, with three releases scheduled to come out. I'm also less than three weeks away from becoming a father for the first time, so life will definitely be very exciting and interesting in the coming months!

Hope you enjoy the new site and have a chance to check out some of the new books. As always, I'd love to know what you think.

And as always, I look forward to reading Travis’s next novel.



Friday, June 16, 2006

Interview with Travis Thrasher--Part 2

Just a note: I have tried for two days now to load the cover of Admission (after saving it to my computer), and it simply will not post. I've loaded covers before, and it's worked just fine. But I have had some trouble in the past, too. If anyond has an inkling why blogger is so testy, and what to do about, please let me know. Meanwhile, do visit this link at amazon.com to check out the cover of Travis's latest novel. Also, Travis has a really cool Web site. Visit it just to see the way it's laid out and what it does.

Travis, I know you recently moved to Moody Publishing. Andy McGuire, acquisitions editor, has talked about his philosophy of Christian fiction--how it needs new, wider boundaries; how it doesn't have to have an overt message. Sounds like that philosophy would fit well with your own.

I love working with Andy McGuire. I was already at Moody when he came on board, and I was a little nervous to see whether my view of fiction and his meshed. But we really work well together and share similar thoughts and feelings about Christian fiction. He believes in the power of telling a good story and feels that it doesn't have to always have an overt Christian message. I love that he is allowing me to tell some of the stories I'm telling in the style I'm telling them. I believe that Andy has a good eye and also brings a lot of good ideas to each project. He's a writer and an artist himself, so he understands what it's like to create a work of art. He's building a great fiction program that I'm very excited to be a part of.

As part of that line, are you going to put out books more often? Your previous novels have been spaced at least a year apart, if not two. I always seem to have to wait so long for them. But now I see your next one, Blinded, comes out this fall.

I'd love to have a couple novels published each year, but I'd also like to live to see my next birthday. :) Honestly, this past year has been the busiest year of my life, both from a writing standpoint and also from a work standpoint (as Author Relations Manager). The reality is that I've written close to thirty novels. Some of them were written before my first ever got published, so they're in my closet and probably should stay there. Some of the others, however, are waiting for a home. I'm the sort of writer that has so many ideas floating around in my head that I just have to write them and get them out. Some are better than others, of course. Some require a lot more time before getting published. But when I finish a project, I don't take time off. I dive into another project, regardless of whether it's contracted for or not.

To answer your question, I might start doing a couple a year. It depends. I'm working on a deadline for a novel that will probably come out in January, 2007. But the novel I often tell people is my best one yet is already finished, having worked with my agent on it for the last two and a half years. It might come out in fall of 2007. The sooner, the better. I want people to read that book.

You mentioned your job. Tell us about that.


My role is Senior Author Relations Manager at Tyndale House Publishers. I've been working in author relations for over 12 years (I like to say I started when I was fourteen). My job is to serve as a liason between the publisher and our authors. I've probably worked with over 1,000 authors in that time. I've learned a lot, working with many bestselling Christian authors. My first two books were published by Tyndale, and I was delighted to have my dreams of publication come true. It can be awkward at times having your books published by the same company you work for. It makes more sense having another house publish my novels. Tyndale publishes so many big-name fiction authors, so I get to work alongside them and learn tricks of the trade while having another publisher work on my books. I've enjoyed it so far.

How’d you get the Tyndale job? And while we’re at it, how did you break into being published?

I started writing fiction when I went away to prison on a count of fifty years . . . oh, wait. Sorry, wrong person. Seriously, my third grade teacher encouraged me in my writing, and that was when I decided I wanted to be a writer. So I just wrote. And wrote. And wrote. I wrote my first novel in ninth grade, finishing it all the way through. I always tell aspiring writers to JUST DO IT. Nobody says you have to do it well. But you can write. Anybody can write.

I knew when I graduated college that I wanted to write, but wasn't sure what else I wanted to do. Publishing was something I looked into. I was fortunate when the position of Author Relations Coordinator came up at Tyndale twelve years ago. (I always say they hired me because I looked so desperate!) It was a perfect fit for me and my personality and a perfect stepping stone for my dreams of wanting to be a writer. How awesome is it for a young writer to suddenly befriend and work alongside people like Jerry Jenkins and Francine Rivers? My job at Tyndale was an answer to prayer--God was good enough to put me in a job that has been more than I ever thought it could be. Having published six novels with more coming were further answers to prayer. I'm very fortunate--sometimes I have author angst, wishing Oprah would interview me or wondering when my big homerun might ever happen. Then I get reminded that I've been very blessed to have come this far. I love my day job and want to do both the writing thing and the author relations thing.

My prayer now is to have a thirty-six hour day. Then I'd have more time to do both things I love so much.

One last question. You mentioned your next novel, Blinded. The beginning of that novel is excerpted in the back of Admission. I read it. Um. Wow. How . . . interesting.

I read it again.

Travis, man, you know I love your work, but have you gone totally insane? The excerpt’s in second person.
Second person! Tell me the entire novel isn’t going to be in that POV.

I'm smiling, because I'm not surprised to hear your reaction regarding the second person technique. First off, let me say that yes, the ENTIRE novel is going to be second person. Let me share some of my thought process in this.

Okay, keep talking. I'm speechless anyway.

I've been working on a novel for about three years now (that might be published in the CBA market--it's the best thing I've written, I think) that occasionally veered off in second person. I did this a tiny bit in Gun Lake, if you remember. My agent and I decided to get away from doing that in that novel, but I liked the style and what it does. It does take you away from the character in a unique way. I wanted to write it as though it could be any business man, that this is literally putting YOU the reader in the shoes of what a man thinks and feels. I'll be honest--I just reread the pages of this and I feel it really truly works. Most of the time I'll read something of mine and be like--yuck! But I liked this. The editors and the other people who have read it really liked it. BUT . . . I also know (and I told Andy from Moody this) that there will be people who absolutely hate it. I just told Andy that I didn't do it just for the sake of doing a second person novel. I wanted to show why a man makes the choices he does and to put the reader literally in his shoes for a moment.

No book is perfect, and there will be some books that readers will enjoy more than others. At the very least, I expect Blinded to create a reaction more than my other books--people will either love it or hate it. But hopefully a lot of people will read it.

I will read it. Don’t know if I’ll like it, but I will read it. Thing is, if anyone could pull this off, you can. And trust me—once I’ve read it, we’ll be talking about it here on Forensics and Faith. I will urge all the BGs to read it just to see what you do with the POV. It’ll be an interesting book and a very interesting discussion.

But I gotta say--you’re one brave man, Travis Thrasher.

Final note: Blinded comes out in August of this year, and Isolation (Travis hopes) will be published in January, 2007.

Monday, October 02, 2006

Blinded--a Novel by Travis Thrasher


So who took the plunge and read it?

From the back cover: Alone in New York City, Michael meets Jasmine, a mysterious, captivating woman. Soon he realizes that her confident exterior masks a troubled life, and his involvement could threaten the foundations of his boring—but suddenly precious—suburban existence. Is anyone watching as Michael follows Jasmine into danger? Does anyone care?

BC’s version: Michael, sick from losing a big business opportunity in New York City, nurses a drink in the late afternoon. Tomorrow morning he’ll fly home to Lisa, his wife. Michael and Lisa are having marital troubles. Enter Jasmine, young, beautiful, and yes, mysterious. She flirts with Michael, gives him her phone number. She’s out to show him a fun evening—what’s wrong with that? Of course he won’t call. He’s a married man—one who’s never even come close to cheating on his wife.

Then, of course, he does. And the fun begins.

I googled the title to read online reviews. I wanted to see how many mentioned the fact the it’s written in second person. I read perhaps six reviews—and found only two out of those six that even mentioned it. Hm. Reviews are such interesting critters…

Here’s my take, for what it’s worth. The second person is what drew me to the book. Actually, at first it repelled me. I read the first chapter excerpt to Blinded in the back of Travis’s last book, Admission, and couldn’t believe what I was reading. I could barely make it through the chapter, I found the point of view (POV) so distracting. I even wrote Travis, saying, man, what have you done? Are you tellin’ me the whole book’s like this?

Yup.

I promised to read the thing for its sheer creativity. Or bravery. Or nuttiness maybe.

Before I continue with my take on the POV issue, let me say some other things about the book.

1. It’s very tightly written. No extraneous meat. Think Kellogg’s Special K, you-can’t-pinch-an-inch.

2. The story occurs continually and in a short space of time—about seventeen and a half hours. This kind of story is a challenge from the get-go. The action in my own Violet Dawn takes places in about fourteen hours, so I understand those challenges as a writer. But I jumped back and forth between various characters. Using only one character’s POV in a continuous fast-paced time frame takes some strong writing skills.

What’s more, Travis threw in an extra, clever component.

You see, this continuous, 17 ½ hour story has a lot of backstory. Scenes of Michael and Lisa, and where they’re going wrong. You could call them flashbacks, except that they don’t stop the clock on the current story. They are part of Michael’s reflections on his life as the current story unfolds. Travis handles these time-slips flawlessly. You can read these and think nothing of them, they flow so smoothly. But as one who’s written quite a few present/past stories, I can assure you Travis worked mighty hard to make it look so easy. His technique is very interesting and different. And it works.

3. Jasmine’s motives were hard to understand, although I didn’t trust her from the get-go. She’s just so Out There. But Travis employed one line that brought her totally into focus for me. Someone in the book describes her as a Paris Hilton. Talk about branding—PH has managed it. Suddenly I saw this character as a rich, spoiled, and positively bored person simply out for whatever entertainment she could muster. At any person’s cost. I don’t think authors should employ this technique all the time, or willy-nilly. But this did remind me how the right real-life name dropped to describe a character can be very effective.

One review I read of Blinded called Jasmine a shallow character. Well, yes, but she’s supposed to be shallow. As E.M. Forster would put it, she’s a “flat” character (Aspects of the Novel)—“constructed around a single idea or quality.” In other words she has no arc as a “round” character would have. The arc is for Michael. This is his story.

And now the POV.

In the first chapter I found myself substituting he for you. I just couldn’t get into the second person thing. It became particularly strange for me when Michael was talking about his wife. I’m married, sure, but I don’t have a wife, and I don’t feel as a man does in protecting his wife. So the second person technique of placing me as a female in the character’s shoes certainly felt awkward.

After awhile I got into it and read the you as you. After all, I’ve read plenty novels with male protagonists and didn’t have a problem empathizing with them. I could handle this.

Some time later I forgot the you almost completely because I was so entranced in the other techniques and flow of the story.

About halfway through the book (sometimes I really am slow), it hit me. The great Ah-hah! No wonder substituting he for you in the first chapter didn’t work. He isn’t the right substitute in the first place. I is.

Because you see, second person storytelling isn’t so unusual. It’s all around us. How many times have you heard a person tell something he/she did in second person. It’s almost as prevalent as slipping into present tense when telling a story.

On Saturday night I watched a couple hours of Cold Case Files, the true crime show of solved investigations. Over and over, as various detectives were interviewed, I noticed they would revert to you instead of I.

Lead-in narration: Years of pursuing their suspect. Now they had him, and they were told to stand down.

Detective: That was just the hardest thing my partner and I have ever had to do in our careers. There you are, sitting out front of your suspect’s house, knowing he’s a mere twenty feet away, and you have to drive back to the station and leave him there. You have to do what your superior tells you to do . . .

Okay, Travis, I get it. Second person’s all around us. You just put it on the page.

If you haven’t read Blinded, really, you should. Not just for the second person thing, but to see how Travis handled the other techniques I’ve mentioned. Even if you come away not liking the book, I do think you’ll have picked up some clever tricks from this skilled author.

-----------------------------
Today on Scenes and Beans

Jake: War of Words at Java Joint

Wilbur and Carla just go at each other. It’s quite a show. And then Leslie and Bailey try to get between them…


Friday, September 01, 2006

Blinded


“Mind if I join you?”

These are not the words you expect to hear. Not now, on a Friday midafternoon in Manhattan. Not after the two days you’ve had. Not after the cancelled dinner and the cancelled merger. And positively, definitely, not from the beautiful woman in the black skirt and heels standing before you.

For a moment you’re lost for words. You’re never lost for words. But for half a second, you can’t say anything.

Only half an hour ago you watched her settle into her seat and order a glass of wine and cross her legs and gaze out at the sidewalk close to Rockefeller Center. Slipping a red and people-watching, just as you were doing. Your glance shifted, first to the table in front of you, then to the half-glass of Pinot Grigio, then the empty chair facing you, then the glisten of your wedding ring in the sun. But your eyes found their way back to the blonde sitting in front of you, her profile in full view, her eyes glancing over and easily spotting your gaze.

You were the first to look away.

This soft of fun, innocent glancing went on for half an hour as the motion of the city blurred behind. People getting off work, tourists roaming, couples strolling. You are here because you’ve ordered wine from this place before. It’s a hobby you’ve only picked up the last couple of years, harmless, yet you keep it from some of the couples you know. Some of your church friends who still make a big deal out of drinking. But in a city far away from the suburbs of Chicago, no one is going to see you. Nobody’s going to care if you are on your second glass, or if you’re staring at one of the hottest women you’ve never seen.

It doesn’t hurt to look.

But for some reason she’s now standing in front of you, looking down at you, smiling, waiting for an answer.

“Go ahead.”

That’s all you say.

She sits down across from you, a glass in her hand. For a moment she continues watching the sidewalk.

You have no idea how your life is about to change.

-------------------
So begins Blinded, the latest from Travis Thrasher.

It’s all in second person.

BGs, your mission, should you decide to accept it, is to read Blinded and be ready to discuss it in a few weeks. Only someone with Travis’s talent could attempt a POV so unusual. Travis told me he chose this POV in order to fully place the reader in the protagonist’s situation. In other words, to make the reader empathize as much as possible with the character. (Remember the #1 reason for putting a book down in our poll last week?) Question is—did Travis succeed.

You may look at this book and think, “No way, I can’t read in that POV. It’ll drive me crazy.” At least that’s what I thought. I read the first chapter excerpt and asked Travis if he’d gone crazy. But what happened as I read the entire book?

Ain’t gonna tell you yet. I’ll want to get your answers to that question first. So open your minds for a new reading experience and go buy Travis’s book.

From the back cover:

Michael Grey is about to experience his very own dark nightof the soul. How much of his perfect life will he risk for a seductivesmile from a stranger? Alone in New York on a business trip,37 year old Michael finds out…


Members of the BHCC (Big Honkin' Chickens' Club)--you have no excuse not to read this. It isn't scary. Ain't even labeled suspense. It's general contemporary fiction.

Friday, June 09, 2006

Sundry Items


Well, now, wasn’t blogspot a pain in the neck yesterday. It wasn’t just this site; it was the whole system. If you gave up trying to bring up yesterday’s post—yes, we finished the series. You can go back and read the last post now.

Shelley, I couldn’t post an answer to you in the comments yesterday because of the site problems. So, basically, yes, you’re on the right track. Just keep studying--as we’re all doing. It’s the way of life for novelists.

Okay, now for a little of this and that, in no particular order.

1. First—the news here on Monday—those who have landed roles for the Scenes & Beans blog will be announced, along with the latest info on what’s happening with that blog. Those of you who didn’t audition, you can sit back and watch this very public experiment unfold. And you’ll have an opportunity later in the year to send in auditioning posts if you want to. Scenes & Beans is gonna rock the country, by gum!

2. On Tuesday I’m going to tell you about Travis Thrasher’s latest suspense, Admission. The book intrigued me because of the different techniques he used. Then, running Wednesday and probably Thursday, will be an interview with him—including his answers to my questions about why he wrote the book the way he did. This will be an interesting follow-up to the topics we’ve discussed here lately. And I’ll give you a “Sneak Pique” at Travis’s next book. You won’t believe what he’s gonna do in that one. I had to ask him myself--“Are you really going to do that?”

3. Marketing plans are really swingin’ for Violet Dawn now that we’re less than two months from release. On the last Saturday in August the launch party for the book will take place in Coeur d’Alene, Idaho. I’ll be telling you more about that and other marketing plans in the future.

4. This here blog will soon be sporting its new look. Should be ready sometime next week.

5. By the way, something I should have mentioned a few weeks ago: the entire Hidden Faces series (4 books) is being purchased by a big print publisher. All that murder and mayhem will now be easier on weak eyes.

Weak hearts are another matter. But there’s always the BHCC (Big Honkin’ Chickens’ Club).

6. So what’s the latest on my schnozzola, you ask? The stitching tie-offs were snipped off by the doc on Monday. (The stitches actually in the skin dissolved.) And as of that day, I could stop wearing Band Aids. Yay. I was tired of looking like a war-torn boxer. The ol’ schnoz looks surprisingly good. The corset-like stitches on top? Totally gone. Really amazing. There’s a little ridge going over toward one side, but that’s going to disappear. With make-up over the area, it’s hardly noticeable. That’s awesome considering how many stitches it took, inside and outside, to close that hole.

7. Here’s the funniest part about the schnoz. Through Site Meter, which tracks folks who visit this blog, I can see where people are being referred from. And if they’re finding Forensics and Faith due to a search, the words or phrases they searched show up. So who’s been finding us lately? People searching about MOHs surgery. (The kind I had.) People searching about cauterizing the nose (remember that part about burning skin?) These poor wretches. Terrified souls that they are, searching for serious information about their scheduled surgery—and they stumble onto my story. Ah, the agony and defeat of the Internet. My “tale of woe” is likely doing for MOHs surgeons what Violet Dawn will do for the hot tub industry. My name shall be toast.

Oh, wait. That was my nose.

Monday, June 05, 2006

A Reconnoiter


Happy Monday, BGs.

Yup, we’re reconnoitering today. But first, what’s coming up next:

Tomorrow through Thursday, we’ll finish up the last three techniques for creating character empathy, with Friday as a wrap-up day for the series. Next week I want to tell you about a recent suspense release that I really enjoyed—titled Admission--and we’ll talk to the author, Travis Thrasher. This is a great book to talk about after our current series because of its technique used to create empathy for the main character (who otherwise may not have garnered much), and also due to its creative use of POV. It will be an interesting study, and Travis’s answers in his interview are intriguing.

On another topic—A Scenes and Beans update. Saturday, June 3 was the deadline for all the SBGs (Scenes and Beans bloggers) to send in their auditioning posts. I have well over 50 posts to read through (some folks auditioned for more than one character). Next Monday I’ll announce the winners of that audition, and their characters. I can tell you from what I’ve already read that Scenes and Beans is gonna be one fun blog.

Now for today: I’m stopping in the midst of our 10-part series on creating character empathy to ask—and answer—a question that I probably should have posed before the series started: Why are we studying this list anyway?

After studying the craft and writing for a time, most of us employ techniques for creating character empathy without thinking about them too much. It just becomes a natural flow as we try to portray a likeable character. I sure don’t sit back before I start writing and think, “Okay, which of these ten techniques am I going to employ in this book?” I know enough about the character before I start that it just . . . sort of comes. And I’ll bet you do, too.

But analyzing techniques for any aspect of fiction isn’t for the times when writing just comes. When that happens and the results work—great. But what if it doesn’t work? What if you write your heart out, give your first chapters to a critique partner, and he/she says, “You know, I just can’t get into the character.”

That’s when you return to this series. That’s when all the analysis of what on other occasions would happen naturally comes in handy. I’ve found this over and over again with my writing. The more we study the craft, the more that tends to come naturally. But the methods we use subconsciously will become much stronger, much more reliable when we take the time to analyze them, pull them apart, bringing them up to our conscious level. And when they’re at our conscious level, we can play with them and figure out what went wrong in those times that our writing needs fixing.

Okay, tomorrow we look at #8—the character is unusual or attracts attention in some particular way. Anybody out there think of a good example for this one?

Thursday, June 15, 2006

Interview with Travis Thrasher--Part 1



OK, Travis, I gotta ask. How much of Jake's character in Admission is autobiographical? I'm talking about the college age, party drunk, I-can't-remember-what-I-just-did Jake?

The character of Jake in Admission is very much me when I was in college. I became a Christian at a young age but drifted away from God, especially during college. I did attend a small, Christian college. The pivotal event that takes place in Admission--Jake getting beaten up at his apartment by two other college students--happened to me in pretty much the exact way it took place in the novel. I just slipped on my author cap and asked the question "What if?". Some of Jake's friends were based on my friends, especially the character of Alec who plays a pivotal part in the book.

The reason I write is to try and make sense of the world around me and the experiences I've gone through or seen others gone through. Sure, I love to tell an entertaining story. But I also love to take incidents and expand them or relive them in order to gain some sort of understanding about them. Admission was a book I wanted to write five years after college, but I was too close to my college experience. So I am glad I was able to write it a decade after I graduated. It was both an emotional and spiritual journey writing about my past and looking back on it through the eyes of someone older and (hopefully!) wiser.

That’s interesting, because you’ve used the same two periods of your life in the book. There’s the story of Jake in college, and the current story eleven years later. Telling those two stories, you used two different POVs, which I found fascinating. Jake's current story is in first person, while his past story is in third. How did you decide to do that, and why?

I never randomly choose a point of view. I like to try different things, but there is always a reason why I choose to do what I do. I wanted Admission to be told from Jake's viewpoint, but I wanted to separate the past story from the present story. I decided to make the past story third person to create more of a distance between that story and the reader (and Jake). I wanted to show the difference between Jake in college and Jake in the present day, but I wanted this change to be subtle. I wanted Jake to feel like his college story was almost another person, another life. In a way, it was, since he was a nonbeliever in college and didn't have hope, and he's found this years later.

I wrote the past story for Admission all the way through, then I wrote the present day story. Weaving the two stories together was easier than I thought it would be. There were times when one chapter flowed into the next in a way I didn't intend but that worked well. Sometimes those things happen when you're working on a novel.

What was the hardest part about writing Admission? Why?

The hardest part was simply distancing myself from the story it's based on and my own college experiences and telling the story that ended up being the novel. I started writing it five years after college, but only got halfway through it. It just didn't feel right for some reason. Now I know I was too close to the story and couldn't tell what I wanted to write about. I've done that with other stories. One story I've been working on for years is a story about my family living in South Carolina. I've done multiple drafts for that, but have never been able to nail it because I've been too close to the story. For Admission, the time was right for me to look back on my college days and tell this story. I enjoyed doing so even though it was sometimes a bittersweet experience. I have both great memories of college and also painful ones. But I knew I needed to write this before too much time passed and my college days would be distant memories.

Your characterization in Admission (and all your novels) is particularly good. Where did you learn this aspect of writing? What process do you use for discovering your characters?

Thanks for the nice compliment. I appreciate you saying that. To be honest, I'm not sure where I learned any of my writing from. I never really paid attention in English classes and was always goofing off in college. I think I learned from reading a lot and from writing a lot. I think I love getting into the hearts, minds and souls of people. I actually like writing a scene where a character is struggling internally but doing nothing verses a scene where a character is holding another up by gunpoint. I like characters full of angst (something I have a lot of too). Of course, you need action and suspense to move a story along. But I like characters with flaws and seeing them through a journey. Hopefully, some of them find hope.

As far as a process goes, it really depends. I'm not a big fan of writing long, detailed character sketches when working on a book. At the same time, I have to write out character sketches because I can't keep everything in my head. I make notes and discovers characters as I go along. For Gun Lake, which had many characters in it, I really had to have every character detailed in an organized way. Sometimes, for a book like Admission, the characters are easy because they're people who have been in my life (or I'm writing a main character who is very much me). Sometimes I have to work at one or two characters. I might write something and the editor makes me work on one or two characters who need more fleshing out.

Another of the strengths in Admission is the dialogue. Very fresh. Unpredictable. It pops. It just feels right. How did you learn the art of good dialogue?

I talk a lot. :) Again, I'm not sure exactly where I picked up the skill to write dialogue. I do know some of the skills I need to work on--things like description, for instance. I'm far better writing dialogue.

When I was young, I used to imagine scenes in my mind. Sometimes I imagined myself in these scenes. (Okay, many times these involved girls I had a crush on but was too shy to talk to!). I always acted out the scenes using dialogue. Most people know me as an extrovert (which I am now), but growing up I was a shy kid with a speech impediment. Writing was a form of being able say the things I wanted to say in just the right way I wanted to say them.

I like listening to people talk and engaging in conversations with people. Some people notice details of life--the textures and colors and the smells and all that. But I listen and I pay attention to people. Maybe that's why things like characterization and dialogue come easier to me than description and setting. I love people and relationships--that's what makes life tick, right?

Yes, especially for us novelists. So tell me, how’d you get here anyway? Why are you writing fiction for the Christian market?

Wait, I'm writing for the Christian market? So THAT'S why they keep taking out the profanity and sex scenes from my books! :) Okay, just kidding. The honest answer is that I work for a Christian publisher that also published my first two novels. That doesn't mean I haven't tried getting published in the general market. My first seven novels were dark, heavy, ambitious novels written for the general market. So far, those doors haven't opened up yet. I still long to write in both markets.

I don't view myself as a Christian novelist. I always say that I'm a novelist that happens to be a Christian. If Oprah or Katie Couric ever interviewed me, that's what I would say. I'd tell them that every single author has a worldview, and mine happens to be a Christian worldview. I don't view my writing as a ministry, either. I have always written, and have always dreamed of having books published. I try to make sense of the world around me, so of course my novels are going to have issues of faith intertwined in them. But when I'm doing a booksigning, I don't introduce myself as having written Christian fiction. I'm not ashamed of it. It's just a tag that brings a lot of connotations, and I want my writing to be judged on whether or not I can tell a good story (something I'm still growing at).

How does the spiritual arc within your stories develop?


It really depends on the story. For my novel The Second Thief, this was about one man's journey toward faith. So, of course, its all about the spiritual arc. But for a book like Admission, I deliberately made it more subtle. I tried to show the difference between Jake in college and the older Jake. But the older Jake is a new Christian, so he still doesn't have things figured out (and who does anyway?). I wanted it to be more subtle because I wrote it with some of my college friends in mind. I try to show hope and redemption in the best way possible depending on the story. But it always depends on the story. In Blinded, the novel coming out this August, the spiritual element comes in more at the end when the character is crying out to God for both forgiveness and for hope. In the end, there is only one source of hope in this world. I really try to work on both sharing my worldview but also not preaching. But for some people, it will always be too much or too little. So I do the best job I know I'm capable of doing and accept criticism if it comes (and ultimately, this is the fate of every writer putting their babies out there for the world to look at).

Tomorrow, Part 2, in which I razz Travis about his next book, Blinded (of which I've read an excerpt): "Travis, man, have you gone INSANE?"

Thursday, September 28, 2006

It's a Blour!


Are you reading Blinded, by Travis Thrasher? The second person POV novel? We’ll be discussing it next week.
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Yesterday
Violet Dawn started its three-day blour (blog tour). Here are some of the links to various blogs/Web sites with information on the book:

1.
This one has a behind-the-scenes interview

2.
On myspace (wouldn’t my daughter be proud):

3. An interesting note about
Getting Into Character, and how it fits into Violet Dawn

4.
A GREAT story about how the book was used to bring someone to Christ

5.
Musings From the Windowsill

6.
Writer-lee

7.
Books, Movies and Chinese Food

8.
Sword and Pen

9.
See Ya on the Net

10.
A future member of the Big Honkin’ Chickens’ Club manages a read

11.
Creative post, featuring Scenes and Beans

12.
A review by SBG Cara Putman

13.
Sean Slagle

14.
How I scared a hot tub repairman to death and got my idea for Violet Dawn

15.
Spoiled for the Ordinary—Another SBG

16.
A behind-the-scenes interview with Becky Miller, who always asks interesting questions

17.
Just a Minute—a blog by an SBG who tells all sorts of stories on me

18.
Bonnie Writes—yes, yet another SBG!

19. Mimie’s Pixie Corner

20. So Many Books

21. Christian Fiction Queen

22. Projecting A (the cool April Erwin)

23. Scraps of Me

24. Cheryl Russel

25. Cheryl Russel for Teens

26. The Indubitable Chris Well!

27. Scrambled Dregs

28. Christian Political Fiction

29. SBG Chris Mikesell learns more about Wilbur Hucks

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VIOLET DAWN IS #1 MOST POPULAR BOOK ON TECHNORATI AS OF THURSDAY MORNING:

Check out Technorati's Most Popular Page
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Today on Scenes and Beans

Wilbur Hucks: Wilbur Meets His Sweetie

Talk about the puddle of all puddles. To everybody else she looked like a drowned rat. But I didn't care. It was love at first sight.